The luminous movement behind the movement, invisible lines of flight made visible, culled from the archaic ethers of Isis, dim reflections of a defiant Nefertiti…
Technology as human prosthesis is clunky and inelegant. Ideally technology is a means of observing process, human function—to improve it. Technology is a kind of mirror, playback. So think of it this way: when a performer (for example and actor or dancer) responds to playback (as a form of critique), what results is an efficient streamlining: a fluid shorthand we call grace...