{"id":5142,"date":"2023-07-12T00:53:27","date_gmt":"2023-07-12T04:53:27","guid":{"rendered":"https:\/\/thememorexe.com\/wordpress\/?p=5142"},"modified":"2023-12-08T03:42:43","modified_gmt":"2023-12-08T08:42:43","slug":"future-fashion-week","status":"publish","type":"post","link":"https:\/\/thememorexe.com\/wordpress\/?p=5142","title":{"rendered":"Future Fashion Week"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">I am delighted to have my speculative piece <a href=\"https:\/\/wildpapers.ch\/wp-content\/uploads\/2023\/06\/Wild-Papers_2_PDF_Onome-Ekeh.pdf\" title=\"\"><em>Future Fashion Week <\/em><\/a>as part of the inaugural  \u2018<a href=\"https:\/\/wildpapers.ch\/\" title=\"\">Wild Papers\u2014Unpredictable as the Future<\/a>\u2019, a new online publishing series, edited by Ingo Niermann and commissioned by the Institute Art Gender Nature HGK Basel FHNW.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wild Papers constitutes a collection of concise scenarios that affect the future of art, technology, gender, and nature.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Why \u201cwild\u201d? The modern Western world has banned, projected, idolized and appropriated the wild as the other. It has confused the wild with the provocative and the rude. Speculative bubbles, filter bubbles, OCD, addictions\u2026when the Western world \u201cruns wild,\u201d it\u2019s not because natural impulses grow rampant but because domestication enforces compulsive repetition. The Wild Papers series doesn\u2019t aim to predict the future\u2014it draws on the future\u2019s inherent unpredictability to escape more of the same.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wild Papers are published on a monthly basis. The first three pdfs can now be downloaded in English at wildpapers.ch. Korean translations will follow suit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No. 1 Karin Pittman \u2013 Conversations with Slime<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No. 2 Onome Ekeh \u2013 Future Fashion Week<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No. 3 Amanda E. Metzger \u2013 Identity Sandboxing<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Upcoming contributions by Junama Emil Abboud, Staci Bu Shea, Ann Cotten, Clemens Driessen, Sonia Fern\u00e1ndez Pan, Eva Hayward, Wonyoung Kim, Kettly Mars, Chus Mart\u00ednez, Ingo Niermann, David Pearce, Claire Pentecost, Filipa Ramos, Stas Sharifullin, Alexander Tarakhovsky, Ronnie Vuine, and Ran Zhang.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Visual: Eva F\u00e0bregas, <em>Polifilia<\/em>, 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am delighted to have my speculative piece Future Fashion Week as part of the inaugural \u2018Wild Papers\u2014Unpredictable as the Future\u2019, a new online publishing series, edited by Ingo Niermann and commissioned by the Institute Art Gender Nature HGK Basel FHNW. Wild Papers constitutes a collection of concise scenarios that affect the future of art, technology, gender, and nature. Why \u201cwild\u201d? The modern Western world has banned, projected, idolized and appropriated the wild as the other. It has confused the wild with the provocative and the rude. Speculative bubbles, filter bubbles, OCD, addictions\u2026when the Western world \u201cruns wild,\u201d it\u2019s not because natural impulses grow rampant but because domestication enforces compulsive repetition. The Wild Papers series doesn\u2019t aim to predict the future\u2014it draws on the future\u2019s inherent unpredictability to escape more of the same. Wild Papers are published on a monthly basis. The first three pdfs can now be downloaded in English at wildpapers.ch. Korean translations will follow suit. No. 1 Karin Pittman \u2013 Conversations with Slime No. 2 Onome Ekeh \u2013 Future Fashion Week No. 3 Amanda E. Metzger \u2013 Identity Sandboxing Upcoming contributions by Junama Emil Abboud, Staci Bu Shea, Ann Cotten, Clemens Driessen, Sonia Fern\u00e1ndez Pan, Eva Hayward, Wonyoung Kim, Kettly Mars, Chus Mart\u00ednez, Ingo Niermann, David Pearce, Claire Pentecost, Filipa Ramos, Stas Sharifullin, Alexander Tarakhovsky, Ronnie Vuine, and Ran Zhang. Visual: Eva F\u00e0bregas, Polifilia, 2023<\/p>\n","protected":false},"author":1,"featured_media":5144,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[40],"tags":[349,347,348,350,87,271,346],"class_list":["post-5142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-speculations","tag-amanda-e-metzger","tag-hgk-fhnw","tag-ingo-niermann","tag-karen-pittman","tag-onome-ekeh","tag-speculative-fiction","tag-wild-papers"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"I am delighted to have my speculative piece Future Fashion Week as part of the inaugural \u2018Wild Papers\u2014Unpredictable as the Future\u2019, a new online publishing series, edited by Ingo Niermann and commissioned by the Institute Art Gender Nature HGK Basel FHNW. Wild Papers constitutes a collection of concise scenarios that affect the future of art,\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"memorexe\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/thememorexe.com\/wordpress\/?p=5142\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.10\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"the memorexe - sound \/ fiction \/ visuals \/ speculations \/ by onome ekeh\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Future Fashion Week - the memorexe\" \/>\n\t\t<meta property=\"og:description\" content=\"I am delighted to have my speculative piece Future Fashion Week as part of the inaugural \u2018Wild Papers\u2014Unpredictable as the Future\u2019, a new online publishing series, edited by Ingo Niermann and commissioned by the Institute Art Gender Nature HGK Basel FHNW. 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